About two years ago, we had a conversation on this blog about how some publishers were attempting to capitalize on the popularity of books like Twilight in order to market nineteenth-century fiction to young adult readers. Various publishers were re-packaging books by, for instance, the Brontës’, with covers they thought might be more appealing to young adult readers.
See, for example, the cover of Penguin’s Illustrated Jane Eyre by Goth artist Dame Darcy:
I’ve been noticing a persistent, sustained interest in steampunk in the various mainstream outlets of geek culture (a phrase I use with affection) such as the Gawker blog io9. (For example: http://io9.com/5917187/gorgeous-portraits-of-steampunks-jetpack+wearing-superwomen) We could probably list dozens of examples of steampunkery in popular culture, from video games to movies to prog-rock concept albums and so on if we wanted to. I have a different question, though — one I’m asking as a fan and marginal practitioner of Victorian studies rather than someone trained and based in it. Has there been much substantial work on steampunk from within Victorian studies, as distinct from fields who study science fiction in the present? Is steampunk something that matters, or should matter, in Victorian studies these days, or has it run its course — and if so, what was that course? Continue reading