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Posts Tagged ‘gender’

Many of us from The Floating Academy attended the annual Victorian Studies Association of Ontario conference this weekend. The conference’s theme — “Manipulation: Victorian Variations on Hands, Handling, and Underhanded Behaviour” — was taken up in various illuminating ways by the day’s speakers (including our own Gregory Brophy) but one key thread that emerged through [...]

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I just got back from the British Women Writer’s Conference in Columbus, Ohio, and I thought I’d take a second in the lull before the storm as the semester winds down to post about it. I have long intended to go to this conference, but this was the first year I made it.  There are [...]

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The Other Dickens

I’ve just finished my holiday reading, and not a moment too soon since classes start tomorrow.  In addition to The Girl with the Dragon Tattoo and the new Jonathan Franzen novel, which I read while travelling, I read Lillian Nayder’s new biography of Catherine Dickens, The Other Dickens (Ithaca: Cornell UP, 2010), which was  too fat [...]

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I’ve been working through the various models of masculinity on display at the World’s Columbian Exposition in Chicago in 1893. One of the Exposition’s most popular entertainments (alongside the first Ferris wheel, Buffalo Bill’s Rough Riders, and movable sidewalks) was a daily boxing demonstration by heavyweight champion James “Gentleman Jim” Corbett. Corbett used multiple venues [...]

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Reprieve! I’ve been steeped in regret at not having posted a review of Playing with Pictures: The Art of Victorian Photocollage when it was on at the AGO over the summer. My impressions have liquefied and dribbled off somewhere in the intervening months. Let me offer the Elizabeth Siegel’s curatorial lecture in their stead. In [...]

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I’ve spent the last week mulling over how mark-up languages’ form and function encode knowledge into a text – but have been sidetracked by an amusing site devoted to nineteenth-century mustaches. Drawn from the University of Kentucky archives, these are almost exclusively American mustaches. I’ve been trying to divine each sitter’s nationality by reading his [...]

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I’ve returned home from lovely Princeton and from a very rich and collegial conference experience at this year’s NVSA conference. As I mentioned in my first post about the conference, the topic this year was “Fighting Victorians,” which is a theme I’d like to respond to as I think back over the conference. I really [...]

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1) Why do we retain the pseudonym when discussing George Eliot/Mary Anne (etc.) Evans but not when referring to other Victorian writers like Currer Bell/Charlotte Brontë? 2) Why is Eliot’s (supposedly unattractive) appearance mentioned so frequently in Eliot criticism?

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I have noticed an interesting affective moment that recurs again and again in George Eliot’s fiction. The typical scene involves the struggle of a man to resist his attraction to, and involvement with, a woman he knows he should keep his distance from. Then, despite his good intentions, he witnesses her tears and instantly loses [...]

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