The Challenge of Writing About George Eliot’s Writing

As Tedra Osell has noted at Crooked Timber, Ta-Nehisi Coates has been posting sporadically about his experience reading George Eliot’s Middlemarch for the first time. (Osell also helpfully provides links to Coates’s posts on Middlemarch). I have enjoyed reading Coates’s attempts to wrestle with what it is about Eliot’s prose that makes it so, well, [...]

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“Foundress of Nothing?”: Report from the annual Victorian Studies Association of Ontario Conference

Many of us from The Floating Academy attended the annual Victorian Studies Association of Ontario conference this weekend. The conference’s theme — “Manipulation: Victorian Variations on Hands, Handling, and Underhanded Behaviour” — was taken up in various illuminating ways by the day’s speakers (including our own Gregory Brophy) but one key thread that emerged through [...]

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George Eliot and Spinoza; or, Felix Holt, the Marrano.

Lauren Goodlad’s paper at the latest NAVSA conference in Montreal, “The Mad Men in the Attic: Seriality and Crypto-Identity in Narratives of Capitalist Globalization,” got me thinking once more about the importance of detachment, unbelonging, and cosmopolitanism within Victorian thought. More specifically, Goodlad’s presentation inspired me to reconsider George Eliot’s novel Felix Holt, the Radical [...]

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Just a little late for Eliot month…

I’ve been reading too much Wilkie Collins lately, and not even the good stuff such as The Woman in White and The Moonstone, but also the lesser-known works from the 1850s through to his last published novel in the late 1880s. I’ve now read, I think, every Collins novel, in addition to much of his [...]

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Middlemarch Interview

As our George Eliot month comes to a close, I thought I would post a link to an interview with Prof. Rohan Maitzen, in which she discusses Eliot’s Middlemarch. It is Eliot’s masterpiece (I don’t think that is up for debate, is it?), and Prof. Maitzen is full of wonderful insights about the novel.

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Reflections on Adam Bede. Part II.

As English lecturers, we often have to remind our students to move from emotional to critical readings of texts. I once had a student who had trouble discussing Dickens’s Great Expectations in our tutorials because she hated Pip so much. Despite working to develop a critical voice over the years, I certainly have emotional reading [...]

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Two Questions about Eliot Scholarship for the Internets

1) Why do we retain the pseudonym when discussing George Eliot/Mary Anne (etc.) Evans but not when referring to other Victorian writers like Currer Bell/Charlotte Brontë? 2) Why is Eliot’s (supposedly unattractive) appearance mentioned so frequently in Eliot criticism?

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Silas Marner meets Melvyn Bragg

Just a quick note to mention that even Melvyn Bragg is joining in on George Eliot month! This coming Thursday, January 28, Melvyn will be discussing Silas Marner: The Weaver of Raveloe (1861) with Rosemary Ashton, Dinah Birch, and Valentine Cunningham on BBC Radio 4′s In Our Time. Be sure to listen in!

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He “kissed each of the two large tears”: Affect and Desire in Eliot’s fiction

I have noticed an interesting affective moment that recurs again and again in George Eliot’s fiction. The typical scene involves the struggle of a man to resist his attraction to, and involvement with, a woman he knows he should keep his distance from. Then, despite his good intentions, he witnesses her tears and instantly loses [...]

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Spinal Curvature, Fascinating!

A few years ago, I had the opportunity to visit Dr. Williams’s library in London, where the Eliot-Lewes library is held. I was doing work on Philip Wakem’s hunch back and hoping to find some very exciting underlining in the books she read on the physiology of the spine. I’m not sure what I was [...]

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Reflections on Adam Bede. Part I.

I am reading Eliot’s Adam Bede for the first time since I read it in graduate school, in a class that focused on Victorian representations of masculinity and the male body. And it certainly is a novel that seems to revel in describing the body of its hero, Adam. Eliot’s narrator begins the novel in [...]

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January is George Eliot month at the Floating Academy

For the month of January, all of the posts here at the Floating Academy will be focused on George Eliot’s work, life, and critical afterlife. To get us started, here are a few links to comprehensive websites for all things Eliot related: 1) George Eliot @ the Orlando Project The Orlando project (University of Cambridge) [...]

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Knitting Victorian Studies

The winter I settled in to write my dissertation a couple of years ago was also the winter I took up knitting in a big way. Maybe it was the Ithaca winter, maybe knitting was an outlet for dissertation stress, or maybe it was just the pleasure of doing something tactile and tangible after sitting at a [...]

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