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Posts Tagged ‘neo-victorian’

Holiday Reading

Byatt, from the Guardian I’m embarrassed to say that I read about two non-Victorian novels a year, and that even those novels are often related to the Victorian novel stylistically or thematically.  A perennial favourite of mine is the contemporary realist novelist Margaret Drabble, especially The Peppered Moth (whose Darwinian themes are related to The [...]

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Over the past few years, I have come to learn a lot about children’s literature and the reading preferences of young urban children and youth. I am involved with a wonderful organization that provides books free to children in low-income neighborhoods. Books are donated to the organization, which then displays them in a beautiful location [...]

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Victorian Pop

I’ve been living in the U.S. for a few years now, and one Canadian holiday I really miss is Queen Victoria day. Or, “fireworks day,” as we used to call it when I was little. I think we were missing the point, though I bet Queen Victoria liked fireworks. Maybe. In the U.S., we have [...]

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In April, I attended a seminar on Neo-Victorian Literature at King’s College London. The event allowed for a lively, informative discussion regarding the current state of neo-Victorian writing and scholarship. One of the main questions asked was, is there something distinct about neo-Victorian literature, as opposed to historical fiction more generally? I’m inclined to consider [...]

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May is Steampunk and Neo-Victorian Month here at the Floating Academy. We’ve been a little behind in our posts, but we are all collectively interested in putting together some ideas about the phenomenon, which seems to be gathering steam – pun intended, of course! – in academic circles of late.

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As part of  Ada Lovelace Day, “an international day of blogging to celebrate the achievements of women in technology and science,”  Rob MacDougall put up a great post about Lovelace’s mentor Mary Somerville, (much of which he borrows from Jay Clayton’s Charles Dickens in Cyberspace). My favorite line of MacDougall’s — “Ada Lovelace is cool, [...]

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As Karen’s post on Alice in Wonderland demonstrates, there is no shortage of Victorians in film these days. I haven’t had a chance to see Burton’s new film yet, but I did see Sherlock Holmes, which was entertaining despite being more like a combination Holmes-tribute, action film and Dan Brown novel than an actual Conan [...]

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I’ve just seen the new Alice in Wonderland (And got caught in a thunderstorm on the way home.  I feel like the dormouse in the teapot! Or something like that.)  The new movie is sort of an Alice-meets-The Wizard of Oz action-fantasy, with the Red Queen pitted against the White Queen and Alice as Jabberwock-slayer.  [...]

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I’ve just come back from BAVS-NAVSA in Cambridge.  I’ve been to several NAVSAs and it’s always a great conference, and this was no exception.  One of the most interesting aspects of this meeting was its  focus on our contemporary investment in the Victorians. 

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I recently taught Alasdair Gray’s Poor Things (1992) in an introductory-level English class. It is both a neo-Victorian novel and a postmodern rewriting of Frankenstein. There are many narrative strands, some of which refute one another, and it is a great example of what Linda Hutcheon calls “historiographic metafiction.” One of the narratives tells the [...]

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