Volume 5 of The Yellow Book by Patten Wilson. Courtesy of The Yellow Nineties Online
Years ago (yes, years!) Jennifer asked if I’d like to write up a brief intro to The Yellow Nineties Online, a site dedicated to a fin-de-siècle periodicals, the project on which I cut my digital and project-management teeth. My pearly whites have been in for quite a while now and so it is with a smile of pleasure that I write about the project.
The Yellow Nineties‘ editors, Lorraine Janzen Kooistra and Dennis Denisoff, are among the Victorianists who have embraced the potential of both digital texts and online resources. They belong to a fine tradition: digital editing expanded through the 1980s as the result of what Matthew Kirschenbaum calls “the pitch-perfect convergence between the intense conversations around editorial theory and method … and the widespread means to implement electronic archives and editions.” Continue reading
My last post called for a return to the study of some of the major authors in Victorian literature, so I didn’t think it would be appropriate to follow up with a post on the details of my current research in Victorian medical and popular discourses about stuttering and stammering. My stuttering project addresses far too many archival materials and has virtually no discussion of any of the major figures in Victorian literature, give or take a few anecdotal observations here and there. So how about Tennyson, then, for this post? He’s a big deal, and deserves a little love in the Floating Academy. Continue reading
I’m just back from the NAVSA/BAVS/AVSA Conference in Venice, where I did see the William Morris painting that Eddy discusses in his post below (will add a comment this week, Eddy!). It was a really wonderful conference, with a wide range of papers. As a conference running over four days, with seven panels at any one time, it’s impossible to sum up just one or two specific threads that ran through the talks. What I can say, though, is that the joining of these three different Victorian Studies Associations – from North America, the UK (and the rest of Europe, if you include people like me), Australia, and Asia made for a very exciting, diverse group. It was a real pleasure to meet colleagues from Australia, many of whom remarked how isolated they felt from other Victorianists and what a treat it was to join forces in Venice. Continue reading
Though I could not go to Venice this year — where NAVSA/BAVS 2013 is about to begin — Venice, it seems, came to me, by way of Toronto’s Globe and Mail. Last Saturday’s edition featured on the cover of its arts section an image taken from the “buzz” piece at the 2013 Venice Biennale, Jeremy Deller’s “We Sit Starving Amidst Our Gold.”
Image courtesy of British Council. Jeremy Deller’s British Council commission is at La Biennale di Venezia until 24th November and will tour national UK venues in 2014. http://www.britishcouncil.org/visualarts.
“Hey,” I said to my partner before reading the piece, “that looks like William Morris throwing that yacht!” I’m both proud and ashamed of my nerdiness in this regard. Continue reading