I’m teaching a course in Victorian culture this summer, and planning to open the class with a chapter from Charles Babbage’s Ninth Bridgewater Treatise (on “Natural Theology”). His mathematical speculations in this text seem to me perfectly representative of the anxious and industrious Victorian desire to apprehend every incident and accident of the physical world. In his chapter “On the Permanent Impression of our Words and Actions on the Globe we Inhabit,” Babbage theorizes that an exhaustive and precise archive of past events would give us an exact vision of our future (to the extent that the latter unfolds as the accumulated consequence of the former). Continue reading “Writing the Disaster: Babbage and the Black Box”
I’m testing out some ideas about neurasthenia, my favourite nineteenth-century nervous complaint. Mark Micale and Elaine Showalter have argued quite convincingly that neurasthenia was polite metonym for male hysteria. I, however, am interested in the ways that it differs from hysteria – the particulars that made it non-feminizing. The following are some of my musings to that end. Yet again I am sucked into the American context (“really,” the lady protests, “when I’m not splashing about with humanities computing, 98% of my research is on the British, not that you can tell from this blog”): the term neurasthenia was coined by American nerve specialist, George M. Beard, and popularized by his two books Nervous Exhaustion (Neurasthenia) (1880) and American Nervousness: Its Causes and the Consequences (1881).
The central distinctions between Nervous Exhaustion (Neurasthenia) and American Nervousness arise from the books’ tone and audience. While Nervous Exhaustion (Neurasthenia) was written for the medical community, and excerpted and summarized in the periodical press, American Nervousness was, in Beard’s own words, “of a more distinctly philosophical and popular character than [Nervous Exhaustion (Neurasthenia)] which was specially addressed to the professional and scientific reader” Continue reading “Modern Times, Nervous Men”
I came across an interesting article in a volume of All the Year Round from 1888 that got me thinking about Victorian fascinations with the future. One particular passage about energy technologies in the year 1988 struck me as curious, especially considering our own green movement, so I thought I would post it here for your perusal:
It will require but little fanciful exaggeration to picture a very much changed England in A.d. 1988. Long before that date, in all probability, steam will have been superseded by electricity; the railways of to-day will be unknown; the lumbering, puffing locomotives, of which we are now so proud, will have been relegated to the region of the useless, even as the good old stage-coach has been, and noiseless hundredmile-an-hour electric engines will have taken their places. Possibly even these latter will be found too cumbersome for our progressive successors of a century hence. Who knows but that the pneumatic tube may be so improved upon that passengers, in days to come, may be shot along from station to station at a speed which, with our nineteenth century knowledge, we can but guess at?
After reading this passage, I couldn’t help asking myself, if the Victorians could predict the coming of electric vehicles and the Jetsons, why can’t we figure out what happened to the electric car?
Source: “England a Century Hence: A Speculative Forecast.” All the Year Round 43 (17 November 1888): 474.
Since the end of April, I’ve been houseless and thus not as productive as I was hoping I would be this summer. I won’t bore you with all of the details or complaints, but suffice it to say that my seemingly perpetual state of transition over the last few months (which has now come to a halt, thankfully, in Calgary) has been both incredibly annoying and somewhat insightful, at least regarding what I want to blog about today. Continue reading “I Dream of Luggage”
I was very pleased when we first decided to call this blog “The Floating Academy” because I’ve been interested in the metaphorics of floating for a few years now. The Victorians were fascinated, as well as irritated, by floating things. Continue reading “On Railways and the Aesthetics of Floating”